Zarah Leander made "Wunderbar" available on January 1, 1987. The duration of Wunderbar is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Wunderbar's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Zarah Leander's "Kann Denn Liebe Sünde Sein" album is number 8 out of 16. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Wunderbar is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Wunderbar by Zarah Leander to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Moonlight | Ted Herold | B♭ Major | 2 | 6B | 70 BPM | ||
Frau Luna: Glühwürmchen-Idyll | Paul Lincke, Franz Fehringer, Willy Hofmann, Willy Schneider, Herta Talmar, Brigitte Mira, Peter-René Körner, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek | E♭ Major | 3 | 5B | 114 BPM | ||
Maske in Blau: Ja, das Temp'rament | Fred Raymond, Marika Rökk, Werner Schmidt-Boelcke | B♭ Major | 3 | 6B | 76 BPM | ||
Das gibt's nur einmal (Christels Lied) | Lilian Harvey | E♭ Major | 2 | 5B | 95 BPM | ||
Und für jeden kommt der Tag | Margot Werner | B♭ Minor | 5 | 3A | 179 BPM | ||
Ich wollt', ich wäre ein Huhn | Willy Fritsch, Lilian Harvey | C Major | 6 | 8B | 134 BPM | ||
Mir ist so nach dir | Mischa Spoliansky, Jazz Symphony Orchestra | C Major | 4 | 8B | 79 BPM | ||
Tiritomba | Margot Eskens | B Major | 3 | 1B | 117 BPM | ||
Wunderbar | Zarah Leander, Wiener Tanzorchester | B♭ Major | 3 | 6B | 96 BPM | ||
So suss wie du | Erwin Hartung, Bernard Ette Orchestra, Bernhard Ette | A♭ Major | 3 | 4B | 178 BPM |
Section: 0.5715157985687256
End: 0.5760414600372314