Johann Nepomuk Hummel, Alexander Trostianski, Polina Osetinskaya, Russian Philharmonic Orchestra, Gregory Rose's 'Concerto for Piano and Violin in G Major, Op. 17: III. Rondo' came out on August 1, 2005. Since Concerto for Piano and Violin in G Major, Op. 17: III. Rondo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Nepomuk Hummel's "Hummel: Concerto for Piano and Violin, Op. 17 / Violin Concerto" album is number 3 out of 6. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Concerto for Piano and Violin in G Major, Op. 17: III. Rondo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Piano and Violin in G Major, Op. 17: III. Rondo by Johann Nepomuk Hummel, Alexander Trostianski, Polina Osetinskaya, Russian Philharmonic Orchestra, Gregory Rose to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Story of the Priest and His Helper Balda, Op. 36 / First Part: 2. A Fair (Prelude). Allegro | Dmitri Shostakovich, Russian Philharmonic Orchestra, Thomas Sanderling | D Minor | 4 | 7A | 113 BPM | ||
Quintet No. 3 in C Major, G. 439: III. Andante con variazioni | Luigi Boccherini, Jean-Pierre Rampal, Régis Pasquier, Roland Pidoux, Mathilde Sternat, Bruno Pasquier | B♭ Major | 2 | 6B | 146 BPM | ||
Keyboard Sonata In B Flat Major, Op. 24, No. 2: II. Andante | Muzio Clementi, Balazs Szokolay | F Major | 1 | 7B | 123 BPM | ||
Keyboard Sonatina In D Major, Op. 36, No. 6: II. Rondo: Allegretto Spiritoso | Muzio Clementi, Balazs Szokolay | D Major | 2 | 10B | 123 BPM | ||
String Quartet in G Major, Op 77, No.1 (1799): Presto | Joseph Haydn, Quatuor Alcan | D Minor | 1 | 7A | 182 BPM | ||
Der Fischer und das Milchmädchen: XVI. Andante agitato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
String Quintet in D Minor: III. Adagietto | Ján Levoslav Bella, Frantisek Magyar, Moyzesovo kvarteto | F Minor | 1 | 4A | 127 BPM | ||
Hamlet Suite, Op. 116a: Hamlet's Monologue (To be or not to be) | Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | G Minor | 0 | 6A | 71 BPM | ||
Symphony No. 1 In D, Op. 25 "Classical Symphony": 3. Gavotta (Non troppo allegro) | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: III. Rondo: Amabile | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | F Major | 1 | 7B | 97 BPM |
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