Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter's 'Les Patineurs, Waltz, Op. 183' came out on June 30, 1993. Since Les Patineurs, Waltz, Op. 183 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Waldteufel: The Best of Emile Waldteufel, Vol. 1 by Émile Waldteufel. The song's track number on the album is #1 out of 9 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Les Patineurs, Waltz, Op. 183 is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Les Patineurs, Waltz, Op. 183 by Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Les Patineurs, Waltz, Op. 183 being at 99 BPM, the half-time would be 50 BPM with a double-time of 198 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Nutcracker, Op. 71: Overture | Ernst Hoffmann, Slovak Radio Symphony Orchestra, Pyotr Ilyich Tchaikovsky | B♭ Major | 1 | 6B | 132 BPM | ||
Le Corsaire: Coda | Orchestre National du Théâtre du Bolchoï | B♭ Major | 2 | 6B | 110 BPM | ||
O Come All Ye Faithful | Nashville Philharmonia | A Major | 4 | 11B | 86 BPM | ||
Handel: Messiah, HWV 56, Pt. 2, Scene 7: Chorus. "Hallelujah" | George Frideric Handel, Sir David Willcocks, Choir of King's College, Cambridge, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 181 BPM | ||
Sleigh Ride from Three German Dances | 724th Air Force Band Of The Pacific Northwest | C Major | 1 | 8B | 76 BPM | ||
Little Drummer Boy, "Carol of the Drum" (arr. P. Breiner for orchestra) | Peter Breiner, Traditional, Katherine Davis, Slovak State Philharmonic Orchestra, Kosice | G Major | 0 | 9B | 91 BPM | ||
Ihr Kinerlein Kommet | The Philharmonic Chamber Orchestra | B♭ Major | 0 | 6B | 67 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy Of Man's Desiring, BWV 147 | Johann Sebastian Bach, Choir of King's College, Cambridge, Nicholas Daniel, James Vivian, Robert Quinney, Stephen Cleobury | D♭ Major | 4 | 3B | 119 BPM | ||
Maria Durch Ein' Doenwald Ging | The Philharmonic Chamber Orchestra | F♯ Minor | 1 | 11A | 60 BPM | ||
Børnenes Jul, Op. 36 (Arr. for Orchestra): Børnenes Jul, Op. 36 (Arr. for Orchestra): I. Die Weihnachts-Glocken | Niels Gade, Uppsala Kammarorkester, Cecilia Rydinger Alin | F Major | 0 | 7B | 0 BPM |
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