"Johannes Brahms: Variationen op. 56a - Über ein Thema von Haydn - IV. Andante con moto" by Royal Philharmonic Orchestra, Robert Bachmann had its release date on July 19, 2002. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Johannes Brahms: Variationen op. 56a - Über ein Thema von Haydn - IV. Andante con moto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Royal Philharmonic Orchestra, Robert Bachmann's "Johannes Brahms: Orchesterwerke 1 - 4" album is number 9 out of 28. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Johannes Brahms: Variationen op. 56a - Über ein Thema von Haydn - IV. Andante con moto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Johannes Brahms: Variationen op. 56a - Über ein Thema von Haydn - IV. Andante con moto by Royal Philharmonic Orchestra, Robert Bachmann to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Mikado: As someday it may happen that a victim... | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 2 | 5B | 148 BPM | ||
Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
Rainy Days And Mondays | Carpenters, Royal Philharmonic Orchestra | B♭ Major | 4 | 6B | 76 BPM | ||
Bridge Over Troubled Water - with The Royal Philharmonic Orchestra | Elvis Presley, Royal Philharmonic Orchestra | C Major | 5 | 8B | 84 BPM | ||
The Wonder of You - with The Royal Philharmonic Orchestra | Elvis Presley, Royal Philharmonic Orchestra | G Major | 7 | 9B | 136 BPM | ||
Love And The Hunter | The Chamber Orchestra Of London | C Major | 2 | 8B | 171 BPM | ||
Reflection - From "Mulan" (Feat. Guo Gan) | Lang Lang, Guo Gan, Royal Philharmonic Orchestra, Robert Ziegler | C Major | 1 | 8B | 106 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 2, Wild Dance of the Men | Alexander Borodin, Sir Thomas Beecham, Royal Philharmonic Orchestra | F♯ Major | 9 | 2B | 125 BPM | ||
Pomp & Circumstance, Marches #1,2,3, & 4 | Chicago Symphony Orchestra | G Major | 3 | 9B | 114 BPM | ||
Requiem: 5. Pie Jesu | The Ayoub Sisters, Royal Philharmonic Orchestra, Mark Messenger | A Major | 1 | 11B | 87 BPM |