Anthony Cheung, Talea Ensemble, James Baker's 'SynchroniCities: IV.' came out on June 10, 2016. With this song being about 5 minutes long, at 4:30, "SynchroniCities: IV." by Anthony Cheung, Talea Ensemble, James Baker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 12 in Cheung: Dystemporal by Anthony Cheung, Talea Ensemble, James Baker, Susanna Mälkki. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, SynchroniCities: IV.'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of SynchroniCities: IV. by Anthony Cheung, Talea Ensemble, James Baker is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3, Op. 27, FS 60 "Sinfonia espansiva": II. Andante pastorale | Carl Nielsen, Lina Johnson, Yngve Søberg, Bergen Philharmonic Orchestra, Edward Gardner | F♯ Major | 1 | 2B | 81 BPM | ||
Métaboles: III. Obsessionnel | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E♭ Major | 1 | 5B | 136 BPM | ||
Four Walls Act 1 Scene VI | John Cage, Margaret Leng Tan, Joan La Barbara | E Major | 0 | 12B | 117 BPM | ||
Whirld (2018) for violin and orchestra: I. Nigredo – | Rolf Wallin, Stavanger Symphony Orchestra, Andris Poga, Eldbjørg Hemsing | C Major | 0 | 8B | 63 BPM | ||
Orbits for Clarinet Solo: I. First Movement | Charles Camilleri, David Campbell, Godfrey Mifsud, Susanne Stanzeleit, Julian Jacobson | D Minor | 0 | 7A | 75 BPM | ||
Speaking Drums: I. Tanzlied / Dance Songs | Peter Eötvös, Orchestre Philharmonique de Radio France, Martin Grubinger | F♯ Major | 2 | 2B | 134 BPM | ||
All Roads: Interlude. Fourth Detour | Anthony Cheung, Gilles Vonsattel, Escher String Quartet | E Major | 1 | 12B | 77 BPM | ||
Impression de lièvre | Christian Schittenhelm, Peter Jablonski | G Minor | 2 | 6A | 135 BPM | ||
Two Pieces for violin, viola and piano: II. Allegro con molto moto | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": VIII. Dance of the Eart | Igor Stravinsky, San Francisco Symphony, Esa-Pekka Salonen | D Minor | 3 | 7A | 114 BPM |
Section: 0.8492579460144043
End: 0.8536019325256348