"Satie: 6 Gnossiennes: No. 1, Lent" by Erik Satie, Bertrand Chamayou was released on October 20, 2023. The duration of Satie: 6 Gnossiennes: No. 1, Lent is about 3 minutes long, at 3:02. Based on our data, "Satie: 6 Gnossiennes: No. 1, Lent" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Erik Satie, Bertrand Chamayou's "Letter(s) to Erik Satie - 6 Gnossiennes: No. 3, Lent" album is number 5 out of 5. On top of that, United Kingdom appears to be the country where this track was created. Satie: 6 Gnossiennes: No. 1, Lent is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Satie: 6 Gnossiennes: No. 1, Lent by Erik Satie, Bertrand Chamayou to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
La Fille Sans Larmes | Lo Mimieux | C Major | 0 | 8B | 143 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Gymnopédie 2 | Erik Satie, Anne Queffélec | C Major | 0 | 8B | 135 BPM | ||
Sleeping Lotus | Joep Beving | G Minor | 0 | 6A | 69 BPM |
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