Spoken Word, Patsy Kelly made "Interview: Patsy Kelly (Bonus Track)" available on 1972. The duration of Interview: Patsy Kelly (Bonus Track) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Interview: Patsy Kelly (Bonus Track)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "No, No, Nanette (New Broadway Cast Recording (1971))". In this album, this song's track order is #26. Interview: Patsy Kelly (Bonus Track) is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Interview: Patsy Kelly (Bonus Track) by Spoken Word, Patsy Kelly having a BPM of 48 with a half-time of 24 BPM and a double-time of 96 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 - 'Pastoral Symphony': II. Lento moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Minor | 0 | 6A | 103 BPM | ||
Symphony No. 2 "The Age of Anxiety", Pt. 2: The Epilogue. L'istesso tempo | Leonard Bernstein, Jean-Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 135 BPM | ||
Second Movement Lento Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | C Major | 1 | 8B | 71 BPM | ||
Ebony Concerto: 1. Allegro moderato | Igor Stravinsky, Dimitri Ashkenazy, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | B♭ Major | 3 | 6B | 89 BPM | ||
Varèse : Hyperprism | Edgard Varèse, Kent Nagano, Orchestra National de Radio France | E Minor | 0 | 9A | 171 BPM | ||
Túria (Agua salvaje) | Gabriel Andrés Gallegos, Budapest Art Orchestra | D Minor | 0 | 7A | 144 BPM | ||
HFDBMX | KNOXVILLETRACKZ | G Minor | 0 | 6A | 87 BPM | ||
Pictures at an Exhibition: I. Gnomus | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | A♭ Minor | 2 | 1A | 76 BPM | ||
Préludes, Book 1, L. 117: No. 10, La cathédrale engloutie | Claude Debussy, Paul Crossley | A♭ Major | 1 | 4B | 80 BPM | ||
エチュード 第2番 「音の翼」 | Tempei, Spoken Word | F♯ Major | 4 | 2B | 86 BPM |
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