On February 3, 2015, the song "Carnaval, Op. 9: No. 10. ASCH - SCHA (Lettres dansantes)" was released by Robert Schumann, Boris Giltburg. With Carnaval, Op. 9: No. 10. ASCH - SCHA (Lettres dansantes) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 51 in the song's album "Schumann: Carnaval, Davidsbündlertänze & Papillons". In this album, this song's track order is #40. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Carnaval, Op. 9: No. 10. ASCH - SCHA (Lettres dansantes)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Carnaval, Op. 9: No. 10. ASCH - SCHA (Lettres dansantes) by Robert Schumann, Boris Giltburg having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Waldszenen, Op. 82: I. Eintritt im Walde | Robert Schumann, Arcadi Volodos | B♭ Major | 0 | 6B | 113 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Liederkreis Op. 24: No. 1, Morgens steh' ich auf und frage | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | D Major | 0 | 10B | 124 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Nocturne No. 4 in A Major, H.36 | John Field, Elizabeth Joy Roe | A Major | 1 | 11B | 68 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM |
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