Invocation and Toccata - Recording at Fumon Hall, Tokyo, 1989
Tokyo Kosei Wind Orchestra, James Barnes
Fantasy Variations on a Theme by Niccolo Paganini (Guest Conductor Series Vol.1)
9:12 July 21, 2001
BPM
64
Key
E Minor
Camelot
9A

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Invocation and Toccata - Recording at Fumon Hall, Tokyo, 1989 - Tokyo Kosei Wind Orchestra, James Barnes Information

Acousticness
93%
Danceability
38%
Energy
0%
Instrumentalness
85%
Liveness
13%
Loudness
24%
Speechiness
4%
Valence
60%
Popularity
Loudness
-45.431 dB

Summary

Tokyo Kosei Wind Orchestra, James Barnes made "Invocation and Toccata - Recording at Fumon Hall, Tokyo, 1989" available on July 21, 2001. Since Invocation and Toccata - Recording at Fumon Hall, Tokyo, 1989 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 24 out of 28 in Fantasy Variations on a Theme by Niccolo Paganini (Guest Conductor Series Vol.1) by Tokyo Kosei Wind Orchestra, James Barnes. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Invocation and Toccata - Recording at Fumon Hall, Tokyo, 1989 is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Invocation and Toccata - Recording at Fumon Hall, Tokyo, 1989 BPM

The tempo marking of Invocation and Toccata - Recording at Fumon Hall, Tokyo, 1989 by Tokyo Kosei Wind Orchestra, James Barnes is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Invocation and Toccata - Recording at Fumon Hall, Tokyo, 1989 Key

This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

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ISRC
JPZ921111325
Label
L-M Records/RCA Records

Section: 0.4227180480957031

End: 0.42647480964660645