"Harmonielehre: 3. Meister Eckhardt and Quackie" by John Adams, Orchestre Symphonique de Montréal, Kent Nagano was released on September 13, 2019. Harmonielehre: 3. Meister Eckhardt and Quackie appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "The John Adams Album". In this album, this song's track order is #4. Based on our statistics, Harmonielehre: 3. Meister Eckhardt and Quackie's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Harmonielehre: 3. Meister Eckhardt and Quackie by John Adams, Orchestre Symphonique de Montréal, Kent Nagano having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stillness | Hilary Hahn, Hauschka | A Major | 0 | 11B | 75 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Lever du jour - Scène | Maurice Ravel, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | E Minor | 1 | 9A | 95 BPM | ||
China Gates | John Adams, Jeroen van Veen | D♭ Major | 1 | 3B | 133 BPM | ||
Poulenc: Dialogues des Carmélites, FP 159, Act 1 Tableau 2: Interlude | Francis Poulenc, José van Dam, Kent Nagano, Orchestre De L'Opéra National De Lyon | G Major | 0 | 9B | 170 BPM | ||
L'Amour de loin: Deuxième acte. Deuxième tableau : L'Amour de loin. Le Pèlerin : "Rien ne vous oblige à l'aimer" | Kaija Saariaho, Deutsches Symphonie-Orchester Berlin, Kent Nagano, Marie-Ange Todorovitch, Ekaterina Lekhina | A Minor | 1 | 8A | 88 BPM | ||
The Planets, Op. 32: 5. Saturn, the Bringer of Old Age | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 0 | 8B | 109 BPM | ||
Les Troyens / Act 5: No. 47: "Ah! Ah! Je vais mourir" | Hector Berlioz, Françoise Pollet, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 93 BPM | ||
Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
L'Amour de loin: Quatrième acte. Deuxième tableau : Songe. Jaufré : "Je l'ai vue, Pèlerin" | Kaija Saariaho, Daniel Belcher, Marie-Ange Todorovitch, Deutsches Symphonie-Orchester Berlin, Kent Nagano | B♭ Major | 2 | 6B | 88 BPM | ||
Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto | Frédéric Chopin, Charles Richard-Hamelin, Orchestre Symphonique de Montréal, Kent Nagano | A♭ Major | 0 | 4B | 140 BPM |
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