"Dextera Domini" by Ferenc Kersch, Budapest Monteverdi Choir, Eva Kollar was released on June 1, 2010. The duration of Dextera Domini is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Dextera Domini's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Budapest Monteverdi Choir, Eva Kollar, Ferenc Farkas, Ferenc Kersch, Gyorgy Deak-Bardos, György Orbán, Lajos Bárdos, László Halmos, Zoltán Kodály's "Musica Sacra Hungarica. Geistliche Chormusik des 20. Jahrhunderts" album is number 13 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Dextera Domini's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dextera Domini by Ferenc Kersch, Budapest Monteverdi Choir, Eva Kollar to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simple Mass: Kyrie | Giovanni Monti, Coro Polifonico Lumina Vocis | F♯ Major | 3 | 2B | 135 BPM | ||
Requiem, Op. 9: IV. Sanctus | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
Lieder ohne Worte, Op. 30: No. 3 in E Major, Adagio non troppo, MWV U 104 (Arr. H. Villa-Lobos for Choir) | Felix Mendelssohn, Orquestra Sinfônica do Estado de São Paulo, Valentina Peleggi | E♭ Major | 0 | 5B | 75 BPM | ||
Kung Liljekonvalje | David Wikander, Stockholms Studentsångare, Einar Ralf | B Minor | 0 | 10A | 140 BPM | ||
Ay, mi Dios | Pedro de Cristo, Coro de Câmara de Lisboa, Teresita Gutierrez Marques | B Minor | 7 | 10A | 97 BPM | ||
Sommerfugledalen: XII. Mit øre svarer med sin døve ringen | Phillip Faber, DR PigeKoret, Kirstine Futtrup, Idinna Lutzhøft, Eva Katrine Dalsgaard, Mihai Fagarasan | C Minor | 1 | 5A | 125 BPM | ||
Requiem: II. Psalm 23 | Herbert Howells, Hannah Holgersson, Ivonne Fuchs, Michael Axelsson, Sofia Vokalensemble, Bengt Ollen | E Minor | 2 | 9A | 81 BPM | ||
Oi armahda, Kristus, on kaitainen tie, Sl 70 | Mieskuoro Weljet | A Minor | 2 | 8A | 70 BPM | ||
Mass of the Americas: I. El cantico del alba | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | C Minor | 3 | 5A | 133 BPM | ||
Likuj dnes, Sione | Pukovet | E Major | 2 | 12B | 66 BPM |
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