"2 Pieces, Op. 20: No. 2, Sérénade espagnole" by Alexander Glazunov, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz was released on January 11, 2019. The duration of 2 Pieces, Op. 20: No. 2, Sérénade espagnole is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. 2 Pieces, Op. 20: No. 2, Sérénade espagnole's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Russian Cello Concertos". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. 2 Pieces, Op. 20: No. 2, Sérénade espagnole is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 2 Pieces, Op. 20: No. 2, Sérénade espagnole by Alexander Glazunov, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Melody, Op. 20, No. 1 | Alexander Glazunov, Jan Vogler, Helmut Branny | D Major | 2 | 10B | 85 BPM | ||
Capriol Suite: 6. Mattachins (Sword Dance) | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | F Major | 3 | 7B | 82 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
A Song of the Night, Op. 19, No. 1, H. 74 | Gustav Holst, Janice Graham, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 68 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 97 BPM |
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