Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard's 'Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 5' came out on May 20, 1996. With Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 5 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard's "Hummel: Flute Sonatas / Flute Trio / Grand Rondeau Brillant" album is number 17 out of 19. On top of that, Hong Kong appears to be the country where this track was created. Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 5 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 5 by Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in D Major, P. 228: II. Andantino | Franz Danzi, Munich Chamber Orchestra, Howard Griffiths | F Major | 0 | 7B | 131 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Bassoon Concerto in F Major, W. 23: III. Rondo. Vivace | Johann Nepomuk Hummel, Valeri Kuzmich Polyansky, Russian State Symphony Orchestra, Valery Popov | F Major | 1 | 7B | 110 BPM | ||
Fantasie in G Minor, Op. 123: II. The Hunter’s Song | Johann Nepomuk Hummel, Madoka Inui | F Major | 1 | 7B | 155 BPM | ||
Albinoni: Concerto In B Flat, Op 7 No.3 - I Allegro | Tomaso Albinoni, Tine Thing Helseth | B♭ Major | 3 | 6B | 113 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Concerto No. 1 in C Major, Hob. VIIh:1 "Lyra organizzata" (Versions for Flute, Oboe & Orchestra): I. Allegro con spirito | Joseph Haydn, Ana de la Vega, Ramon Ortega Quero, TrondheimSolistene, Geir Inge Lotsberg | C Major | 1 | 8B | 75 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM |
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