"Pastoral, Op. 51" by Pentagon Winds, US Army Field Band was released on February 7, 2012. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in US Army Field Band's "Music for Chamber Winds" album is number 15 out of 20. On top of that, United States appears to be the country where this track was created. Pastoral, Op. 51 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pastoral, Op. 51 by Pentagon Winds, US Army Field Band to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fontane di Roma, P. 106 (Excerpts Arr. for Tuba & Trombone) | Ottorino Respighi, James Markey, Mike Roylance | E Major | 3 | 12B | 72 BPM | ||
Serenade for Winds in D Minor, Op. 44: III. Andante con Moto | Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Vahan Mardirossian | E Minor | 1 | 9A | 62 BPM | ||
Phanatisie No. 3 in D Minor | Michael Maxwell | D Major | 1 | 10B | 76 BPM | ||
Der Fischer und das Milchmädchen: VI. Air de Chassé par Écho | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Cello Concerto No. 2 in D Hob. VIIb:2 (Cadenzas: Lynn Harrell): III. Rondo (Allegro) - Cadenza | Lynn Harrell, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 134 BPM | ||
Thétis et Pelée: Ouverture | Jean-Benjamin de La Borde, Reinoud Van Mechelen, A Nocte Temporis | E Major | 2 | 12B | 134 BPM | ||
Suite de Ballet: Passepied | Ralph Vaughan Williams, Jan Vinci, Hugh Sung, Mark Vinci, Jennifer Higdon | C Minor | 2 | 5A | 148 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 3 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM | ||
Sonatina in D Major, Wq. 96 H. 449: II. Allegro | Carl Philipp Emanuel Bach, Orazio Sciortino, Orchestra di Padova e del Veneto | E Minor | 0 | 9A | 139 BPM | ||
Where Flowers Bloom | Aleksander Debicz, Konrad Gołda | G Major | 3 | 9B | 119 BPM |
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