Violin Concerto, Op. 14: III. Presto in moto perpetuo
Samuel Barber, Johan Dalene, Norrköping Symphony Orchestra, Daniel Blendulf
Tchaikovsky & Barber: Violin Concertos
4:12 December 6, 2019
BPM
95
Key
A Minor
Camelot
8A

Embed

Share Link

Violin Concerto, Op. 14: III. Presto in moto perpetuo - Samuel Barber, Johan Dalene, Norrköping Symphony Orchestra, Daniel Blendulf Information

Acousticness
89%
Danceability
34%
Energy
39%
Instrumentalness
69%
Liveness
13%
Loudness
66%
Speechiness
4%
Valence
54%
Popularity
Loudness
-20.678 dB

Summary

Samuel Barber, Johan Dalene, Norrköping Symphony Orchestra, Daniel Blendulf made "Violin Concerto, Op. 14: III. Presto in moto perpetuo" available on December 6, 2019. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 6 in the song's album "Tchaikovsky & Barber: Violin Concertos". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Violin Concerto, Op. 14: III. Presto in moto perpetuo is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Violin Concerto, Op. 14: III. Presto in moto perpetuo BPM

With Violin Concerto, Op. 14: III. Presto in moto perpetuo by Samuel Barber, Johan Dalene, Norrköping Symphony Orchestra, Daniel Blendulf having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Violin Concerto, Op. 14: III. Presto in moto perpetuo Key

This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Charterhouse Suite: Prelude by Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-JonesCharterhouse Suite: PreludeRalph Vaughan Williams, English Northern Philharmonia, David Lloyd-JonesF Major07B134 BPM
Suite bergamasque: Suite bergamasque: III. Clair de lune. Andante très expressif by Claude Debussy, Alain PlanèsSuite bergamasque: Suite bergamasque: III. Clair de lune. Andante très expressifClaude Debussy, Alain PlanèsD♭ Major03B67 BPM
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp) by Camille Saint-Saëns, Jacqueline du Pré, Osian EllisSaint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp)Camille Saint-Saëns, Jacqueline du Pré, Osian EllisG Major09B60 BPM
Rhapsodie Orientale, Op. 29: 1. Andante by Alexander Glazunov, Orchestre Symphonique de Montréal, Charles DutoitRhapsodie Orientale, Op. 29: 1. AndanteAlexander Glazunov, Orchestre Symphonique de Montréal, Charles DutoitD♭ Major03B89 BPM
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) by Richard Strauss, Angela HewittMorgen, Op. 27 No. 4 (Arr. Reger for Piano)Richard Strauss, Angela HewittA Major211B143 BPM
Grieg: Peer Gynt, Op. 23, Act 4: Prelude. Morning Mood by Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville MarrinerGrieg: Peer Gynt, Op. 23, Act 4: Prelude. Morning MoodEdvard Grieg, Academy of St. Martin in the Fields, Sir Neville MarrinerE Major012B137 BPM
Serenade for Strings in E, Op. 22: 2. Tempo di valse by Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin DavisSerenade for Strings in E, Op. 22: 2. Tempo di valseAntonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin DavisF♯ Minor011A93 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
The Heart Asks Pleasure First by Michael Nyman, Ahn TrioThe Heart Asks Pleasure FirstMichael Nyman, Ahn TrioA Minor28A169 BPM
Barber: Piano Sonata Op.26, (ii) Allegro vivace e leggero by Fiachra Garvey, Samuel BarberBarber: Piano Sonata Op.26, (ii) Allegro vivace e leggeroFiachra Garvey, Samuel BarberC Major18B77 BPM
ISRC
SEAEA1940060
Label
L-M Records/RCA Records

Section: 1.1647372245788574

End: 1.771735429763794