Tony Bennett's 'Lazy Afternoon' came out on 1962. The duration of Lazy Afternoon is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Lazy Afternoon's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tony Bennett's "Mr. Broadway" album is number 12 out of 12. In terms of popularity, Lazy Afternoon is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lazy Afternoon by Tony Bennett to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Satin Doll | Lorez Alexandria | A Minor | 2 | 8A | 121 BPM | ||
Summertime | Manhattan Jazz Quartett, Debby Davis | A Minor | 4 | 8A | 122 BPM | ||
Monday Again | Nat King Cole Trio | D Minor | 0 | 7A | 68 BPM | ||
Blue And Sentimental - 1947 Version | Nat King Cole Trio | A♭ Major | 0 | 4B | 130 BPM | ||
I Miss You So | Etta Jones | D Minor | 1 | 7A | 68 BPM | ||
My Foolish Heart | Bill Evans, Tony Bennett | C Major | 4 | 8B | 149 BPM | ||
All Dressed Up With a Broken Heart | Chris Connor | E♭ Major | 2 | 5B | 118 BPM | ||
On A Clear Day You Can See Forever | Tony Bennett | G Major | 3 | 9B | 79 BPM | ||
Don't Look At Me That Way | Jeri Southern | F Major | 3 | 7B | 67 BPM | ||
A Whiter Shade of Pale | Halie Loren | A Minor | 4 | 8A | 145 BPM |
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