- BPM
- 134
- Key
- F Minor
- Camelot
- 4A
L'horizon chimérique, Op. 118: 2. Je me suis embarqué - Gabriel Fauré, Gérard Souzay, Jacqueline Bonneau Information
- Acousticness
- 99%
- Danceability
- 35%
- Energy
- 19%
- Instrumentalness
- 14%
- Liveness
- 10%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 17%
- Popularity
- 1%
- Loudness
- -16.837 dB
Summary
"L'horizon chimérique, Op. 118: 2. Je me suis embarqué" by Gabriel Fauré, Gérard Souzay, Jacqueline Bonneau was released on January 1, 2003. The duration of L'horizon chimérique, Op. 118: 2. Je me suis embarqué is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. L'horizon chimérique, Op. 118: 2. Je me suis embarqué's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 28 in Fauré/Chausson: French Airs by Gérard Souzay, Jacqueline Bonneau. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, L'horizon chimérique, Op. 118: 2. Je me suis embarqué's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
L'horizon chimérique, Op. 118: 2. Je me suis embarqué BPM
The tempo marking of L'horizon chimérique, Op. 118: 2. Je me suis embarqué by Gabriel Fauré, Gérard Souzay, Jacqueline Bonneau is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
L'horizon chimérique, Op. 118: 2. Je me suis embarqué Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | |
 | Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | |
 | 24 Preludes, Op. 11: No. 15 in D-Flat Major | Alexander Scriabin, Evgeny Zarafiants | D♭ Major | 0 | 3B | 69 BPM | |
 | 16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | |
 | Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | |
 | Sometimes I Feel Like a Motherless Child | Samuel Coleridge-Taylor, Isata Kanneh-Mason | C Major | 1 | 8B | 68 BPM | |
 | Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | |
 | Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | D Major | 1 | 10B | 72 BPM | |
 | Dances for Harp and Orchestra, L. 103: 2. Danse profane | Lavinia Meijer, Amsterdam Sinfonietta | G Major | 1 | 9B | 142 BPM |
- ISRC
- GBF075010062
- Label
- L-M Records/RCA Records
Section: 0.594041109085083
End: 0.5971155166625977