"Violin Rhapsody No. 1, BB 94a, Sz. 87: II. Friss. Allegretto moderato" by Béla Bartók, James Ehnes, Andrew Armstrong was released on January 1, 2012. Violin Rhapsody No. 1, BB 94a, Sz. 87: II. Friss. Allegretto moderato is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The song is number 2 out of 11 in Bartók: Works for Violin and Piano, Vol. 1 by Béla Bartók, James Ehnes, Andrew Armstrong. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Violin Rhapsody No. 1, BB 94a, Sz. 87: II. Friss. Allegretto moderato's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Violin Rhapsody No. 1, BB 94a, Sz. 87: II. Friss. Allegretto moderato by Béla Bartók, James Ehnes, Andrew Armstrong is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | C Major | 0 | 8B | 132 BPM | ||
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
Chaconne in A-Flat Minor | Marie Auguste Durand, Janos Balint, Nora Mercz | A♭ Minor | 0 | 1A | 77 BPM | ||
Mazurka in C Major | Mikhail Glinka, Inga Fiolia | A Minor | 0 | 8A | 69 BPM | ||
Horn Trio in E-Flat Major, Op. 40: I. Andante (Poco più animato) | Johannes Brahms, Isabelle Faust, Alexander Melnikov, Teunis van der Zwart | E♭ Major | 1 | 5B | 92 BPM | ||
4 Postludes for Piano & String Orchestra: No. 3. Larghetto, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | G Major | 0 | 9B | 74 BPM | ||
String Quartet No. 1 in D Minor: III. Adagio | Nancy Dalberg, Nordic String Quartet, Heiðrun Petersen, Mads Haugsted Hansen, Daniel Eklund, Lea Emilie Brøndal | G Minor | 0 | 6A | 104 BPM |
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