Violin Rhapsody No. 1, BB 94a, Sz. 87: II. Friss. Allegretto moderato
Béla Bartók, James Ehnes, Andrew Armstrong
Bartók: Works for Violin and Piano, Vol. 1
5:54 January 1, 2012
BPM
142
Key
F Minor
Camelot
4A

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Violin Rhapsody No. 1, BB 94a, Sz. 87: II. Friss. Allegretto moderato - Béla Bartók, James Ehnes, Andrew Armstrong Information

Acousticness
98%
Danceability
41%
Energy
16%
Instrumentalness
49%
Liveness
11%
Loudness
63%
Speechiness
5%
Valence
16%
Popularity
Loudness
-22.334 dB

Summary

"Violin Rhapsody No. 1, BB 94a, Sz. 87: II. Friss. Allegretto moderato" by Béla Bartók, James Ehnes, Andrew Armstrong was released on January 1, 2012. Violin Rhapsody No. 1, BB 94a, Sz. 87: II. Friss. Allegretto moderato is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The song is number 2 out of 11 in Bartók: Works for Violin and Piano, Vol. 1 by Béla Bartók, James Ehnes, Andrew Armstrong. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Violin Rhapsody No. 1, BB 94a, Sz. 87: II. Friss. Allegretto moderato's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Violin Rhapsody No. 1, BB 94a, Sz. 87: II. Friss. Allegretto moderato BPM

The tempo marking of Violin Rhapsody No. 1, BB 94a, Sz. 87: II. Friss. Allegretto moderato by Béla Bartók, James Ehnes, Andrew Armstrong is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Violin Rhapsody No. 1, BB 94a, Sz. 87: II. Friss. Allegretto moderato Key

F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

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ISRC
GBLWD1200402
Label
L-M Records/RCA Records

Section: 0.7601017951965332

End: 0.7638194561004639