On October 9, 1996, the song "Suite in G minor: II. Gavote (Arr. A. Camden)" was released by George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward's "HANDEL: Oboe Concertos Nos. 1- 3 / Suite in G Minor" album is number 16 out of 26. On top of that, Hong Kong appears to be the country where this track was created. Suite in G minor: II. Gavote (Arr. A. Camden) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Suite in G minor: II. Gavote (Arr. A. Camden) by George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Trumpet Concerto in D Major, G. 28: V. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 2 | 3B | 114 BPM | ||
Concerto a 5 in C Major, Op. 9, No. 9: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 107 BPM | ||
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Dialogue | Louis Couperin, London Baroque | B Major | 2 | 1B | 101 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 3 | 7B | 128 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 7 : IV. Andante Largo | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Quido Holbling, Anna Holbling, Capella Istropolitana | B Minor | 2 | 10A | 85 BPM | ||
Oboe Concerto No. 2 in B-Flat Major, HWV 302a: I. Vivace | George Frideric Handel, Maurice André, Hedwig Bilgram, Karl Richter, Münchener Bach-Orchester | B♭ Major | 3 | 6B | 108 BPM | ||
Trumpet Concerto in D Major, "Estienne Roger 188": II. Adagio | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | B Minor | 2 | 10A | 70 BPM |