On April 1, 2016, the song "Brahms / Arr Joachim: 21 Hungarian Dances, WoO 1: No. 5 in G Minor" was released by Johannes Brahms, Yehudi Menuhin. The duration of Brahms / Arr Joachim: 21 Hungarian Dances, WoO 1: No. 5 in G Minor is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Brahms / Arr Joachim: 21 Hungarian Dances, WoO 1: No. 5 in G Minor's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Yehudi Menuhin's "Le violon du siècle" album is number 24 out of 39. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Brahms / Arr Joachim: 21 Hungarian Dances, WoO 1: No. 5 in G Minor is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Brahms / Arr Joachim: 21 Hungarian Dances, WoO 1: No. 5 in G Minor by Johannes Brahms, Yehudi Menuhin to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Brahms: 6 Klavierstücke, Op. 118: No. 1, Intermezzo in A Minor | Johannes Brahms, Nicholas Angelich | A Minor | 2 | 8A | 104 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Scherzo in E flat minor, Op. 4 | Johannes Brahms, Gerhard Oppitz | D Major | 1 | 10B | 114 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 5 in G Minor (original in F-Sharp Minor) | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | G Major | 2 | 9B | 158 BPM | ||
Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 73 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872 | Daniel Barenboim | D♭ Major | 0 | 3B | 133 BPM |
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