George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner made "Water Music Suite No. 1 in F Major, HWV 348: Hornpipe and Andante" available on 1972. Since Water Music Suite No. 1 in F Major, HWV 348: Hornpipe and Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner's "Handel: Music for the Royal Fireworks; Water Music" album is number 16 out of 21. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Water Music Suite No. 1 in F Major, HWV 348: Hornpipe and Andante is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Water Music Suite No. 1 in F Major, HWV 348: Hornpipe and Andante by George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony for Flute, Oboe, Horn and Strings in D Major: I. Allegro con brio | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 89 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata I. "Pater, dimitte illis, quia nesciunt, quid faciunt" | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 3 | 6A | 115 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
Swan Lake, Op.20, TH.12 / Act 3: Danse russe (Moderato) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | A Minor | 1 | 8A | 144 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (Without tempo indication) | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 3 | 7B | 179 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Oboe Concerto in E-Flat Major, Wq. 165, H. 468: II. Adagio ma non troppo | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | C Minor | 1 | 5A | 92 BPM |
Section: 0.610821008682251
End: 0.6167001724243164