"L'Enfant et les sortilèges, M.71 / Deuxième partie: Il est bon, l'Enfant, il est sage" by Maurice Ravel, Pamela Helen Stephen, London Symphony Orchestra, André Previn, London Symphony Chorus, Stephen Westrop was released on January 1, 1999. The duration of L'Enfant et les sortilèges, M.71 / Deuxième partie: Il est bon, l'Enfant, il est sage is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. L'Enfant et les sortilèges, M.71 / Deuxième partie: Il est bon, l'Enfant, il est sage's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Ravel: L'Enfant et les Sortilèges". In this album, this song's track order is #25. Furthermore, we believe that the track originated from Germany. L'Enfant et les sortilèges, M.71 / Deuxième partie: Il est bon, l'Enfant, il est sage is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'Enfant et les sortilèges, M.71 / Deuxième partie: Il est bon, l'Enfant, il est sage by Maurice Ravel, Pamela Helen Stephen, London Symphony Orchestra, André Previn, London Symphony Chorus, Stephen Westrop having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 (Arr. Maganini for Flute and Harp) | Maurice Ravel, Markus Klinko, Benoît Fromanger | G Major | 0 | 9B | 127 BPM | ||
Album for the Young, Op. 39: No. 3. Mamma (Maman) | Pyotr Ilyich Tchaikovsky, Carol Rosenberger | G Major | 0 | 9B | 87 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM |
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