Robert Jasper Hogan, Nick Santa Maria made "Chapter 6 - Squadron of the Scorpion - G-8 and His Battle Aces 17" available on October 1, 2019. The duration of Chapter 6 - Squadron of the Scorpion - G-8 and His Battle Aces 17 is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Chapter 6 - Squadron of the Scorpion - G-8 and His Battle Aces 17's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 93 in the song's album "Squadron of the Scorpion [G-8 and His Battle Aces 17 (Unabridged)]". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Chapter 6 - Squadron of the Scorpion - G-8 and His Battle Aces 17 is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Chapter 6 - Squadron of the Scorpion - G-8 and His Battle Aces 17 by Robert Jasper Hogan, Nick Santa Maria having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chapter 24 - Captain Underpants and the Wrath of the Wicked Wedgie Woman - Captain Underpants 5 | Dav Pilkey | F♯ Major | 2 | 2B | 122 BPM | ||
The Raven | Edgar Allan Poe, William Dufris | F♯ Major | 2 | 2B | 85 BPM | ||
Chapter 16.8 & Chapter 17.1 - 1984 | George Orwell | A Major | 2 | 11B | 121 BPM | ||
Chapter 1 - The Changemaker Mindset - Why Every Change on the Outside Starts with an Inner Transformation | Ilja Grzeskowitz, Sean Runnette | A Minor | 3 | 8A | 110 BPM | ||
Kapitel 145 - Eisenhut und Apfelstrudel - Ein Bayern-Krimi - Hauptkommissar Hirschberg, Teil 1 | Jessica Müller, Sebastian Walch | B Major | 2 | 1B | 89 BPM | ||
Kapitel 55 - Er ist wieder da | Timur Vermes, Christoph Maria Herbst | D Major | 3 | 10B | 71 BPM | ||
Chapter 14: The Scavenger Hunt | Bibi and Tina, Ulf Tiehm, Britt McKillip, Chantal Strand | E♭ Minor | 3 | 2A | 104 BPM | ||
Chapter 8.2 - 1984 | George Orwell | E♭ Minor | 3 | 2A | 84 BPM | ||
Chapter 32 - Mortal Engines - Mortal Engines, Book 1 | Philip Reeve, Barnaby Edwards | C Major | 3 | 8B | 172 BPM | ||
Chapter 25 - Mortal Engines - Mortal Engines, Book 1 | Philip Reeve, Barnaby Edwards | F Minor | 2 | 4A | 69 BPM |
Section: 0.5623855590820312
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