Ronn McFarlane's 'Tune Without Title No. 172' came out on July 27, 2018. The duration of Tune Without Title No. 172 is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Tune Without Title No. 172's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Celtic Lute". In this album, this song's track order is #20. In terms of popularity, Tune Without Title No. 172 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tune Without Title No. 172 by Ronn McFarlane having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Galanterie Pièce | Silvius Leopold Weiss, Lutz Kirchhof | D Major | 1 | 10B | 100 BPM | ||
Trenchmore | John Johnson, Ronn McFarlane, William Simms | C Major | 2 | 8B | 104 BPM | ||
Varietie of Lute Lessons, 1610: Pavin No. 2. Composed by the most famous and perfect Artist Anthonie Holborne | Anthony Holborne, Matthew Wadsworth | F♯ Minor | 1 | 11A | 101 BPM | ||
Come my Celia | Alfonso Ferrabosco II, Julianne Baird, Ronn McFarlane | F♯ Major | 1 | 2B | 76 BPM | ||
Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM | ||
Spagnoletta | Michael Praetorius, Atrium Musicae de Madrid, Gregorio Paniagua | B♭ Major | 1 | 6B | 70 BPM | ||
Pavin | Innocentio Alberti, Fretwork | F Major | 2 | 7B | 68 BPM | ||
Passamezzo Antiguo. Recercada 1ª | Diego Ortiz, La Reverencia | C Major | 1 | 8B | 107 BPM | ||
Christ ist erstanden (Christ is risen) | Hans Judenkünig, Ronn McFarlane | A♭ Minor | 0 | 1A | 97 BPM | ||
Pièces de théorbe, Suite in A Minor: I. Prélude | Robert de Visée, Xavier Diaz-Latorre | A Major | 1 | 11B | 77 BPM |
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