Apurva Priyadarshi, Sajan Mishra, Durgesh Bhatt made "Karatani Chhath Ke Baratiya - From "Chhath Ke Baratiya"" available on November 10, 2023. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Karatani Chhath Ke Baratiya (From "Chhath Ke Baratiya") and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Karatani Chhath Ke Baratiya - From "Chhath Ke Baratiya"'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Karatani Chhath Ke Baratiya - From "Chhath Ke Baratiya" by Apurva Priyadarshi, Sajan Mishra, Durgesh Bhatt to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Krishna Bhajan - Kanhaiya Teri Moorat | Manish Tripathi | A♭ Minor | 8 | 1A | 81 BPM | ||
Na Mohabbat Ke Jhanda Jhukela - From "Nirahua Riikshawala 2" | Alok Kumar, Rajesh Rajnish, Pyare Lal Yadav | D♭ Minor | 8 | 12A | 150 BPM | ||
Bhawani Vaishno Rani | Suresh Wadkar, Madhu Girotra | D♭ Minor | 7 | 12A | 100 BPM | ||
MAA UMIYA JOVU TAMARI VAAT | Sagar Patel, Tejal Thakor | D Major | 6 | 10B | 139 BPM | ||
Jaadu Chala Gail Aapan Bana Gail (From "Nirhua Mail") | Mohan Rathore | A♭ Minor | 7 | 1A | 128 BPM | ||
Chapter Ten | Rajan Mishra, Sajan Mishra | E♭ Minor | 2 | 2A | 79 BPM | ||
Bhatar Nai Holi Me | Chandan Rohi, Sonam Yadav | C Minor | 9 | 5A | 88 BPM | ||
Har Pal Har Shan Bhai - From "Jai Maa Tarachandi" | Ankush Raja, Shekhar Madhur, Sajan Mishra | F♯ Minor | 8 | 11A | 81 BPM | ||
Nagri Ho Ayodhya Si Redhukul Sa Ghrana Ho | Devendra Kumar | C Major | 8 | 8B | 95 BPM | ||
Kaise Sudhri Bihar Rajendra Kaka | Anand Mohan, Vinay Bihari, Indu Sonali | B♭ Minor | 8 | 3A | 145 BPM |
Section: 0.6691544055938721
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