Jean-Pierre Guignon, London Baroque made "Trio Sonata in D Major, Op. 4 No. 2: IV. Allegro" available on August 7, 2012. The duration of Trio Sonata in D Major, Op. 4 No. 2: IV. Allegro is about 3 minutes long, at 3:21. Based on our data, "Trio Sonata in D Major, Op. 4 No. 2: IV. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "The Trio Sonata in 18th-Century France". In this album, this song's track order is #25. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Trio Sonata in D Major, Op. 4 No. 2: IV. Allegro is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Trio Sonata in D Major, Op. 4 No. 2: IV. Allegro by Jean-Pierre Guignon, London Baroque having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Sonata in C Major, Op. 5, No. 10 (arr. W. Babell and M. Blavet): III. Sarabanda: Largo (arr. W. Babell) | William Babell, Michel Blavet, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 1 | 2A | 49 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: V. Échos | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Sonata No. 17 for Three Cellos in G Minor: I. Adagio affettuoso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | B Major | 2 | 1B | 98 BPM | ||
Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
Suite in A Major, BWV 1025: V. Allegro | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Sonata No. 6 in E Major: Allemande | Jean-Pierre Guignon, Hans Roelofsen, Rudolf Senn | G Major | 1 | 9B | 96 BPM | ||
Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
Aria Variata Alla maniera italiana in A Minor, BWV 989: No. 5, Variation IV. Allegro - Arr. for Baroque Ensemble in G Minor | Johann Sebastian Bach, Concerto Italiano, Rinaldo Alessandrini | F♯ Major | 0 | 2B | 80 BPM | ||
English Suite No. 3 in G Minor, BWV 808: IV. Sarabande | Johann Sebastian Bach, Benjamin Alard | E♭ Minor | 3 | 2A | 97 BPM |
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