"Alpensymphonie, Op.64: Sonnenaufgang" by Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli was released on January 1, 1994. With Alpensymphonie, Op.64: Sonnenaufgang being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "R. Strauss: Eine Alpensinfonie op.64". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Alpensymphonie, Op.64: Sonnenaufgang is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alpensymphonie, Op.64: Sonnenaufgang by Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Third Movement Moderate Pesante | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | G Minor | 1 | 6A | 79 BPM | ||
Mahler: Symphony No. 2 in C Minor, "Resurrection": III. In ruhig fliessender Bewegung | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 0 | 8B | 172 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 0 | 12B | 143 BPM | ||
Symphony No. 1 in D Major, Op. 25: IV. Finale. Molto vivace | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Symphony No.3 - "Liturgique": 1. "Dies Irae" - Allegro marcato | Arthur Honegger, Berliner Philharmoniker, Herbert von Karajan | C Major | 6 | 8B | 143 BPM | ||
Spartacus, Act I: Scene and Dance with Crotala (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | G Major | 1 | 9B | 80 BPM | ||
Elektra, Op. 58, TrV 223: Orest! Orest! Es rührt sich niemand! | Richard Strauss, Inge Borkh, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Symphony for Organ and Orchestra (1924): I. Andante | Aaron Copland, Leonard Slatkin | F♯ Major | 1 | 2B | 80 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Mayskaya noch' (May Night): Overture | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM |
Section: 0.72798752784729
End: 0.7319023609161377