Arnold Louis Van Dijk, Berdien Stenberg, Jaap Van Zweden, Concertgebouw Chamber Orchestra made "Ode Aan Amadeus Voor Fluit Viool En Orkest" available on January 1, 1985. The duration of Ode Aan Amadeus Voor Fluit Viool En Orkest is about 3 minutes long, at 3:16. Based on our data, "Ode Aan Amadeus Voor Fluit Viool En Orkest" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 5 in the song's album "Ode Aan Amadeus". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Ode Aan Amadeus Voor Fluit Viool En Orkest is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Ode Aan Amadeus Voor Fluit Viool En Orkest by Arnold Louis Van Dijk, Berdien Stenberg, Jaap Van Zweden, Concertgebouw Chamber Orchestra having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5. Don’t Cry for Me Argentina a.L. Webber | Melissa Venema - Trumpet | C Major | 1 | 8B | 70 BPM | ||
Die tote Stadt / Act 1: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | ||
Romance Nr.2 in F | The Romantic Sound Orchestra | G Minor | 2 | 6A | 80 BPM | ||
Danube Waves Waltz - Waves Of The Danube - Flots Du Danube - Donauwellen-Walzer (Exklusive Neuaufnahme - Waltz - Wiener Walzer) | Alfred Hause | A Minor | 3 | 8A | 93 BPM | ||
Sonate Nr. 8 - Adagio | Alfred Hause, Harald Kulik, Wolfgang Schröter | A♭ Major | 3 | 4B | 143 BPM | ||
The Gypsy | Laurens van Rooyen | G Major | 4 | 9B | 100 BPM | ||
Himalaya | Tol & Tol | A Major | 2 | 11B | 140 BPM | ||
Concerto for Clarinet and Orchestra in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Karl-Heinz Steffens, Sir Colin Davis | E Major | 0 | 12B | 136 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non molto | Antonio Vivaldi, Anne-Sophie Mutter, Herbert von Karajan | F Minor | 2 | 4A | 173 BPM | ||
Cent mille chansons | Louis Van Dijk | B♭ Major | 4 | 6B | 124 BPM |
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