"O magnum mysterium: motet pour 4 voix mixtes a cappella" by Winchester Cathedral Choir, David Hill was released on 1998. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 13 in Fauré: Requiem etc. by David Hill, Winchester Cathedral Choir. O magnum mysterium: motet pour 4 voix mixtes a cappella is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O magnum mysterium: motet pour 4 voix mixtes a cappella by Winchester Cathedral Choir, David Hill is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sunrise Mass: I. The Spheres | Ola Gjeilo, Westminster Williamson Voices, Sunrise Mass Orchestra, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Schindler's List - Theme | New World Philharmonic Orchestra, Tasmin Little, Ian Sutherland | D Minor | 1 | 7A | 92 BPM | ||
Verdi: Nabucco, Act 3: "Va pensiero", 'Chorus of the Hebrew slaves' (Chorus) | Giuseppe Verdi, Carlo Rizzi, Chorus of the National Academy of Saint Cecilia, Orchestra of the National Academy of Saint Cecilia | E Major | 0 | 12B | 79 BPM | ||
Aria: Bist du bei mir, BWV 508 (Arr. for Organ) | Gottfried Heinrich Stölzel, Aafje Heynis, Pierre Palla | B Major | 3 | 1B | 73 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra | B Major | 0 | 1B | 61 BPM | ||
Funeral Sentences for the death of Queen Mary II (1695): Thou knowest Lord, Z58C | Henry Purcell, Baroque Brass Of London, Geraint Watkins, Timothy Pride, Julian Podger, Donald Sweeney, Winchester Cathedral Choir, David Hill | C Minor | 0 | 5A | 95 BPM | ||
Pilgrims' Chorus | Richard Wagner, Leopold Stokowski | E♭ Major | 2 | 5B | 86 BPM | ||
Nulla in Mundo Pax Sincera - Arr. Edwards/Hirschfelder | Antonio Vivaldi, Jane Edwards, Choir, Geoffrey Lancaster, Gerald Keuneman, Orchestra, Ricky Edwards | E Minor | 1 | 9A | 136 BPM | ||
Tavener: The Lament of the Mother of God | John Tavener, Solveig Kringelborn/Winchester Cathedral Choir/David Hill, Solveig Kringelborn, Winchester Cathedral Choir, David Hill | A Minor | 0 | 8A | 67 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM |
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