Wiener Philharmoniker, Riccardo Muti, Margaret Marshall, Kathleen Battle, Agnes Baltsa made "Così fan tutte, Act 1, Scene 3: Recitativo: Che vita maledetta (Despina/Fiordiligi/Dorabella)" available on August 2, 2013. The duration of Così fan tutte, Act 1, Scene 3: Recitativo: Che vita maledetta (Despina/Fiordiligi/Dorabella) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Così fan tutte, Act 1, Scene 3: Recitativo: Che vita maledetta (Despina/Fiordiligi/Dorabella)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 19 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Così fan tutte, Act 1, Scene 3: Recitativo: Che vita maledetta (Despina/Fiordiligi/Dorabella) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Così fan tutte, Act 1, Scene 3: Recitativo: Che vita maledetta (Despina/Fiordiligi/Dorabella) by Wiener Philharmoniker, Riccardo Muti, Margaret Marshall, Kathleen Battle, Agnes Baltsa to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione | Wolfgang Amadeus Mozart, Glenn Gould | F Major | 1 | 7B | 77 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Nocturne No.4 In F, Op.15 No.1 | Frédéric Chopin, Maurizio Pollini | F Major | 0 | 7B | 132 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Concerto Grosso In G Minor, Op. 3, No. 2, RV 578: I. Adagio E Spiccato - Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM |
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