"Siete canciones populares españolas - Arranged By José Maria Gallardo del Rey: 5. Nana" by Manuel de Falla, Elina Garanca, José Maria Gallardo del Rey was released on January 1, 2013. With Siete canciones populares españolas - Arranged By José Maria Gallardo del Rey: 5. Nana being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "The Best Of Elina Garanca". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Based on our statistics, Siete canciones populares españolas - Arranged By José Maria Gallardo del Rey: 5. Nana's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Siete canciones populares españolas - Arranged By José Maria Gallardo del Rey: 5. Nana by Manuel de Falla, Elina Garanca, José Maria Gallardo del Rey having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Intermezzo, Op. 119/1 | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D Major | 0 | 10B | 65 BPM | ||
Chaconne in A-Flat Minor | Marie Auguste Durand, Janos Balint, Nora Mercz | A♭ Minor | 0 | 1A | 77 BPM | ||
Bocetos: IV. La campana de la tarde. Allegretto | Enrique Granados, Alicia de Larrocha | F Major | 0 | 7B | 129 BPM | ||
El Amor brujo: Quadre Primer: Introduccion y escena | Manuel de Falla, Ginesa Ortega, Josep Pons, Orquestra De Cambra Teatre Lliure | A♭ Major | 0 | 4B | 77 BPM | ||
Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
Oriental (Arr. for Harp & Guitar) | Enrique Granados, Duo Multicorde | E Minor | 0 | 9A | 92 BPM | ||
La séparation "Nocturne in F Minor": La separation, Nocturne in F Minor | Mikhail Glinka, Victor Ryabchikov | F Minor | 1 | 4A | 73 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM |
Section: 0.7074213027954102
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