Antonín Dvořák, Václav Neumann, Czech Philharmonic Orchestra's 'Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 5 in A Major' came out on August 1, 1995. The duration of Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 5 in A Major is about 3 minutes long, at 3:15. Based on our data, "Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 5 in A Major" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 16 in Dvorák : Slavonic Dances by Antonín Dvořák, Václav Neumann & Czech Philharmonic Orchestra, Václav Neumann, Czech Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 5 in A Major is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 5 in A Major by Antonín Dvořák, Václav Neumann, Czech Philharmonic Orchestra is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Fantasie-impromptu in C-Sharp Minor, Op. 66 No. 4 | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 1 | 3B | 82 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Sibelius: 13 Pieces, Op. 76: No. 2, Étude | Jean Sibelius, Leif Ove Andsnes | A Minor | 1 | 8A | 127 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
La campanella in G-Sharp Minor (From "Grandes études de Paganini", S. 141 / 3) | Franz Liszt, Lang Lang | A♭ Minor | 3 | 1A | 88 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Prelude In B Minor Opus 104a No.2 | Felix Mendelssohn, Bertrand Chamayou | B Minor | 3 | 10A | 81 BPM |
Section: 0.6107494831085205
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