Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 5 in A Major
Antonín Dvořák, Václav Neumann, Czech Philharmonic Orchestra
Dvorák : Slavonic Dances
3:15 August 1, 1995
BPM
75
Key
E Major
Camelot
12B

Embed

Share Link

Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 5 in A Major - Antonín Dvořák, Václav Neumann, Czech Philharmonic Orchestra Information

Acousticness
87%
Danceability
40%
Energy
28%
Instrumentalness
59%
Liveness
10%
Loudness
74%
Speechiness
4%
Valence
38%
Popularity
Loudness
-15.837 dB

Summary

Antonín Dvořák, Václav Neumann, Czech Philharmonic Orchestra's 'Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 5 in A Major' came out on August 1, 1995. The duration of Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 5 in A Major is about 3 minutes long, at 3:15. Based on our data, "Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 5 in A Major" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 16 in Dvorák : Slavonic Dances by Antonín Dvořák, Václav Neumann & Czech Philharmonic Orchestra, Václav Neumann, Czech Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 5 in A Major is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 5 in A Major BPM

The tempo marking of Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 5 in A Major by Antonín Dvořák, Václav Neumann, Czech Philharmonic Orchestra is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 5 in A Major Key

E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Scheherazade: Calm at Sea by Nikolai Rimsky-Korsakov, Joakim SvenhedenScheherazade: Calm at SeaNikolai Rimsky-Korsakov, Joakim SvenhedenE Major212B84 BPM
Fantasie-impromptu in C-Sharp Minor, Op. 66 No. 4 by Frédéric Chopin, Arthur RubinsteinFantasie-impromptu in C-Sharp Minor, Op. 66 No. 4Frédéric Chopin, Arthur RubinsteinD♭ Major13B82 BPM
Keyboard Sonata in D Minor, Kk. 1 by Domenico Scarlatti, Ivo PogorelichKeyboard Sonata in D Minor, Kk. 1Domenico Scarlatti, Ivo PogorelichD Minor17A107 BPM
Borodin - String Quartet No.2 in D major: Notturno: Andante by Alexander Borodin, Borodin QuartetBorodin - String Quartet No.2 in D major: Notturno: AndanteAlexander Borodin, Borodin QuartetA Major211B74 BPM
Sibelius: 13 Pieces, Op. 76: No. 2, Étude by Jean Sibelius, Leif Ove AndsnesSibelius: 13 Pieces, Op. 76: No. 2, ÉtudeJean Sibelius, Leif Ove AndsnesA Minor18A127 BPM
Salut d'amour, Op. 12 (version for orchestra) by Edward Elgar, Slovak Radio Symphony Orchestra, Adrian LeaperSalut d'amour, Op. 12 (version for orchestra)Edward Elgar, Slovak Radio Symphony Orchestra, Adrian LeaperB♭ Major16B82 BPM
La campanella in G-Sharp Minor (From La campanella in G-Sharp Minor (From "Grandes études de Paganini", S. 141 / 3)Franz Liszt, Lang LangA♭ Minor31A88 BPM
Raymonda, Op. 57: Act II - Variation I by Alexander Glazunov, Moscow Symphony Orchestra, Alexander AnissimovRaymonda, Op. 57: Act II - Variation IAlexander Glazunov, Moscow Symphony Orchestra, Alexander AnissimovD♭ Major03B83 BPM
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] by Franz Liszt, Oxana YablonskayaSchwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert]Franz Liszt, Oxana YablonskayaD Major010B66 BPM
Prelude In B Minor Opus 104a No.2 by Felix Mendelssohn, Bertrand ChamayouPrelude In B Minor Opus 104a No.2Felix Mendelssohn, Bertrand ChamayouB Minor310A81 BPM
ISRC
DEA807200016
Label
L-M Records/RCA Records

Section: 0.6107494831085205

End: 0.6147043704986572