"Songs of Nymphs: I. Prelude" by Marjan Mozetich, Erica Goodman was released on June 30, 1994. The duration of Songs of Nymphs: I. Prelude is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Songs of Nymphs: I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Erica Goodman's "Louie / Mozetich / Barnes: Canadian Harp Music" album is number 1 out of 16. On top of that, Sweden appears to be the country where this track was created. Songs of Nymphs: I. Prelude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Songs of Nymphs: I. Prelude by Marjan Mozetich, Erica Goodman to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Odes to the Americas: II. Blue Souls | Marjan Mozetich, Caliban Quartet | F Major | 0 | 7B | 88 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Gayane Suite No. 3: IV. Gayane's Adagio | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | F Minor | 1 | 4A | 74 BPM | ||
Songs from Dolores's Songbook: No. 7, Azure (Version for Strings) | Tõnu Kõrvits, Estonian National Symphony Orchestra, Risto Joost | B Major | 0 | 1B | 85 BPM | ||
Britten: Night Piece "Notturno" | Benjamin Britten, Stephen Hough | E♭ Major | 0 | 5B | 67 BPM | ||
Concerto for Clarinet and Orchestra No. 3 in F Major "Il Mezzetino": III. Andante | Antonio Vivaldi, Martin Fröst, Concerto Köln | E Minor | 0 | 9A | 119 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod. Adagio (Arr. Parkin) | Edward Elgar, Sheku Kanneh-Mason, Ashok Klouda, Caroline Dearnley, Hannah Roberts, Josephine Knight, Ben Davies | B♭ Major | 1 | 6B | 90 BPM | ||
Schwanengesang D. 957: No. 13, The Wraith - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | B Major | 0 | 1B | 140 BPM |
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