Original C.M. Ziehrer Orchestra, Hans Schadenbauer's ' "Giskra Marsch" was released on its scheduled release date, September 15, 2009. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Giskra Marsch's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wiener Spezialitäten Carl Michael Ziehrer by Original C.M. Ziehrer Orchestra. The song's track number on the album is #3 out of 18 tracks. In terms of popularity, Giskra Marsch is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Giskra Marsch by Original C.M. Ziehrer Orchestra, Hans Schadenbauer has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Giskra Marsch being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Corsaire: Pas de Trois - Medora Variation | Baron Boris Fitinhof-Schnell, English National Ballet Philharmonic, Gavin Sutherland | F Major | 0 | 7B | 100 BPM | ||
8 Slavonic Dances, Op. 46: No. 3 in A flat (Poco allegro) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | A♭ Major | 0 | 4B | 83 BPM | ||
Sinfonietta: III. Allegro | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | D♭ Major | 2 | 3B | 100 BPM | ||
Prinz Eugen-Marsch, Op. 186 | Josef Strauss, Christian Pollack, Slovak State Philharmonic Orchestra | B♭ Major | 3 | 6B | 104 BPM | ||
Time of Yesterday | Paolo MIllon, Neon Lilith, Francine La Bouvette | F Major | 1 | 7B | 90 BPM | ||
Lincke: Frau Luna: "Schlösser, die im Monde liegen" (Marie) | Paul Lincke, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
The Auditions | Kerry Muzzey, Dániel Dinyés, Budapest Art Orchestra | C Major | 4 | 8B | 86 BPM | ||
The Prague Carnival. Introduction and Polonaise | Bedřich Smetana, Prague Symphony Orchestra, Tomáš Brauner | A Major | 3 | 11B | 69 BPM | ||
Suite from Mam'zelle Angot (Arranged and Orchestrated by Gordon Jacob), Act I: No. 1, Allegro | Alexandre Lecocq, Estonian National Symphony Orchestra, Neeme Järvi | F Minor | 1 | 4A | 135 BPM |