"Circles and Commas: Variation 2" by Burkhard Kinzler, See Siang Wong was released on February 24, 2015. The duration of Circles and Commas: Variation 2 is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Circles and Commas: Variation 2's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 62 in the song's album "Swiss Piano Project". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Switzerland. Circles and Commas: Variation 2 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Circles and Commas: Variation 2 by Burkhard Kinzler, See Siang Wong having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): Introduction: O Lord, save the pious | Georgy Sviridov, Nazar Yakobenchuk, Credo Chamber Choir, Bogdan Plish | B♭ Minor | 0 | 3A | 79 BPM | ||
4 Motets pour un temps de pénitence, FP 97: No. 4, Tristis est anima mea | Francis Poulenc, Sumei Bao-Smith, The Choir Of Trinity College, Cambridge, Stephen Layton | G Minor | 1 | 6A | 75 BPM | ||
Three Whitman Settings: 3. The Last Invocation | The Singers - Minnesota Choral Artists | G Minor | 1 | 6A | 136 BPM | ||
Vespers (All-Night Vigil), Op.37: 6. "Bogoroditse Devo" | Sergei Rachmaninoff, St.Petersburg Chamber Choir, Nikolai Korniev | F Major | 0 | 7B | 89 BPM | ||
Why the Caged Bird Sings | Phoenix Chamber Choir, Jake Runestad, Leanne Dalton, Graeme Langager | B Major | 0 | 1B | 137 BPM | ||
Ave Maria, WAB 6 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 65 BPM | ||
Serenade of the Celestials | LeoRoads | E Major | 1 | 12B | 117 BPM | ||
the little match girl passion: have mercy, my god | David Lang, Theatre Of Voices, Paul Hillier | A♭ Major | 0 | 4B | 78 BPM |
Section: 0.530372142791748
End: 0.5355212688446045