Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore made "Die schöne Müllerin, D. 795: I. Das Wandern" available on January 1, 1972. The duration of Die schöne Müllerin, D. 795: I. Das Wandern is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Die schöne Müllerin, D. 795: I. Das Wandern's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 20 in Die schöne Müllerin D795 by Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Die schöne Müllerin, D. 795: I. Das Wandern is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Die schöne Müllerin, D. 795: I. Das Wandern by Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | A Major | 1 | 11B | 133 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Da sank ich in Vernichtung dumpf darnieder...Halt ein! Unsel'ger" | Richard Wagner, Wolfgang Windgassen, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Otto Gerdes | E♭ Major | 3 | 5B | 86 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Liebesliederwalzer, Op. 52: Liebesliederwalzer, Op. 52: I. Rede, Mädchen, allzu liebes | Johannes Brahms, Camillo Radicke, Marlis Petersen, Werner Güra, Konrad Jarnot, Christoph Berner, Stella Doufexis | E Major | 2 | 12B | 94 BPM | ||
Humperdinck : Hänsel und Gretel : Act 2 "Abends will ich schlafen gehn" [Hänsel, Gretel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | G Major | 0 | 9B | 86 BPM | ||
Eugene Onegin, Op. 24, TH 5: "Sie schrieben mir" | Pyotr Ilyich Tchaikovsky, Dietrich Fischer-Dieskau, Evelyn Lear, Orchester der Bayerischen Staatsoper München, Otto Gerdes | F♯ Major | 1 | 2B | 83 BPM | ||
Six Lieder, Op. 13: 2. Sie liebten sich beide | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | C Minor | 0 | 5A | 167 BPM | ||
Eugene Onegin, Op. 24, TH 5: "Mein Feind! Seit wann trennt unser Leben..." | Pyotr Ilyich Tchaikovsky, Fritz Wunderlich, Dietrich Fischer-Dieskau, Hans Marsch, Orchester der Bayerischen Staatsoper München, Otto Gerdes | F♯ Major | 1 | 2B | 83 BPM | ||
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM | ||
Mahler: Das Lied von der Erde: V. Der Trunkene im Frühling, "Wenn nur ein Traum das Leben ist" (Tenor) | Gustav Mahler, Otto Klemperer, Fritz Wunderlich, Christa Ludwig, Philharmonia Orchestra, New Philharmonia Orchestra | A Major | 3 | 11B | 87 BPM |
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