Tucson Chamber Artists, Eric Holtan & Kathryn Mueller's 'Like As a Hart Desireth the Waterbrooks (Remastered)' had a release date set for September 17, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Tucson Chamber Artists & Eric Holtan's "Harmonic Coexistence" album is number 2 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Like As a Hart Desireth the Waterbrooks (Remastered)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Like As a Hart Desireth the Waterbrooks (Remastered) by Tucson Chamber Artists, Eric Holtan & Kathryn Mueller to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Veni creator | Arvo Pärt, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Major | 0 | 9B | 83 BPM | ||
There Was a Time | Vocal Arts Nashville, Matthew Phelps | E Major | 2 | 12B | 77 BPM | ||
Tebe Poem (We Hymn Thee) | Pavel Chesnokov, The Sixteen, Harry Christophers | D♭ Minor | 0 | 12A | 141 BPM | ||
Lux Aurumque | BYU Singers | D♭ Minor | 0 | 12A | 79 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
And so I go on | Phoenix Chamber Choir, Jake Runestad, Kiyomi Hori, Graeme Langager | F♯ Major | 2 | 2B | 65 BPM | ||
Cherubic Hymn, Op. 7, No. 1 | Pavel Chesnokov, Conspirare, Craig Hella Johnson | B Minor | 1 | 10A | 145 BPM | ||
Mass In Blue, Op. 28: IV. Sanctus | Will Todd, Bethany Halliday, Jim Fleeman, Gareth Huw, Jeremy Backhouse | B♭ Major | 2 | 6B | 130 BPM | ||
Media Vita | Kerensa Briggs, Reading Phoenix Choir, Christoper Hann | F♯ Major | 1 | 2B | 104 BPM | ||
Vespers, Op. 37: Bless The Lord, O My Soul | Yevhen Savchuk, Sergei Rachmaninoff, Olga Borusene, National Choir Of The Ukraine "Dumka", Mykhaylo Tyshchenko, Yuri Korinnyk | D♭ Major | 2 | 3B | 83 BPM |