Tomoko Ogawa's '誰もいない処で' had a release date set for February 4, 1987. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 小川知子全曲集, so we believe that "誰もいない処で" is a single. In terms of popularity, 誰もいない処で is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 誰もいない処で by Tomoko Ogawa is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
学生時代 | Peggy Hayama | G Minor | 5 | 6A | 112 BPM | ||
人形の家 | Mieko Hirota | G Minor | 4 | 6A | 103 BPM | ||
俺の明日はどこにある | 渡 哲也 | A Minor | 3 | 8A | 109 BPM | ||
ミカンが実る頃 | 藍美代子 | F Minor | 8 | 4A | 147 BPM | ||
愛のままで… | Junko Akimoto | A Minor | 5 | 8A | 84 BPM | ||
Mado Glass | Naoko Ken | D Major | 3 | 10B | 131 BPM | ||
夕月 | Jun Mayuzumi | F Minor | 4 | 4A | 175 BPM | ||
さよならをするために~アコースティックバージョン~ | Billy Ban Ban | B Minor | 3 | 10A | 102 BPM | ||
ひまわり娘 | Sakiko Ito | C Major | 4 | 8B | 189 BPM | ||
夫婦坂 | Harumi Miyako | C Major | 4 | 8B | 87 BPM |