Suite for Cello and Orchestra (From "Memoirs of a Geisha"): Becoming A Geisha - Yo-Yo Ma, John Williams, Chicago Symphony Orchestra Information

Acousticness: 83%
Danceability: 29%
Energy: 22%
Instrumentalness: 47%
Liveness: 10%
Loudness: 70%
Speechiness: 4%
Valence: 23%
Popularity: 14%
Loudness: -18.263 dB

Summary

Yo-Yo Ma, John Williams, Chicago Symphony Orchestra's 'Suite for Cello and Orchestra (From "Memoirs of a Geisha"): Becoming A Geisha' came out on 2013. With this song being about 5 minutes long, at 5:03, "Suite for Cello and Orchestra (From "Memoirs of a Geisha"): Becoming A Geisha" by Yo-Yo Ma, John Williams, Chicago Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Williams's "John Williams: The Great Movie Soundtracks" album is number 17 out of 58. In terms of popularity, Suite for Cello and Orchestra (From "Memoirs of a Geisha"): Becoming A Geisha is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Suite for Cello and Orchestra (From "Memoirs of a Geisha"): Becoming A Geisha BPM

We consider the tempo marking of Suite for Cello and Orchestra (From "Memoirs of a Geisha"): Becoming A Geisha by Yo-Yo Ma, John Williams, Chicago Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.

Suite for Cello and Orchestra (From "Memoirs of a Geisha"): Becoming A Geisha Key

The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two)	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	A♭ Major	1	4B	138 BPM
Carnival of the Animals, R. 125: Introduction and Royal March of the Lion	Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma	G Major	2	9B	90 BPM
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor	Felix Mendelssohn, Bertrand Chamayou	F♯ Minor	1	11A	69 BPM
Consolation No. 3 in D-Flat Major, S. 172/3	Franz Liszt, Vladimir Horowitz	D♭ Major	0	3B	70 BPM
Memories of a Promenade II	Olga Scheps, Flying Steps	C Minor	0	5A	74 BPM
Suite bergamasque, L. 75: III. Clair de lune	Claude Debussy, Alice Sara Ott	D♭ Major	0	3B	69 BPM
Sonata for Violin and Guitar in A Minor, Op. 2, No. 6, MS 26: Tempo di Walzer	Niccolò Paganini, Scott St. John, Simon Wynberg	A Minor	2	8A	147 BPM
Giuseppe Tornatore Suite: Playing Love from "The Legend of 1900"	Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta	D Major	1	10B	80 BPM
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings)	Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	G Minor	1	6A	77 BPM
Cello Sonata in G Minor, Op. 65: II. Scherzo. Allegro con brio	Frédéric Chopin, Yo-Yo Ma	G Major	2	9B	68 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.933497428894043

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