"Keyboard Suite in E Minor: II. Courante" by Jean-Baptiste Loeillet, Piers Lane was released on May 5, 2023. With Keyboard Suite in E Minor: II. Courante being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "Piers Lane Goes to Town Again: Aspects of the Dance". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Keyboard Suite in E Minor: II. Courante is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Keyboard Suite in E Minor: II. Courante by Jean-Baptiste Loeillet, Piers Lane having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
Sicilienne, Bwv 1031 | Valentina Lisitsa | G Minor | 0 | 6A | 99 BPM | ||
Etude, Op. 18 No. 3 | Moritz Moszkowski, Manuel del Corral | A♭ Major | 0 | 4B | 73 BPM | ||
Railroad Rhythm | Billy Mayerl, Piers Lane | A♭ Major | 2 | 4B | 134 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 19, Polonaise in G Minor, H. 1 No. 4 [Attrib. J.S. Bach's BWV Anh. 125] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | D Minor | 1 | 7A | 111 BPM | ||
24 Preludes, Op. 11: No. 1 in C Major. Vivace | Alexander Scriabin, Piers Lane | C Major | 3 | 8B | 96 BPM | ||
Piano Quintet in C Major, Sz. 23: I. Andante | Béla Bartók, Goldner String Quartet, Piers Lane | D♭ Major | 1 | 3B | 66 BPM | ||
6 Sonates meleese de pieces, Op. 2: V. Sonata in D major "La Chauvet”: IV. Les regrets. Tendrement | Michel Blavet, Claudio Ferrarini, Accademia Farnese | A Minor | 0 | 8A | 129 BPM | ||
Fibich: Moods, Impressions and Souvenirs, Op. 41: No. 4, Poème (Arr. for Violin and Piano by Jan Kubelik) | Zdeněk Fibich, Tasmin Little, Piers Lane | D♭ Major | 0 | 3B | 85 BPM | ||
Recorder Sonata in C Minor, Op. 3, No. 5: I. Largo | Jean-Baptiste Loeillet, Daniel Rothert, Vanessa Young, Ketil Haugsand | A Major | 1 | 11B | 63 BPM |
Section: 0.5769124031066895
End: 0.5820367336273193