"The Queen of Spades, Op. 68, Act II Scene 3: No. 15, Final Scene "Kto pylko i strastno lyubya"" by Виталий Таращенко, Александр Ведерников I, Natalia Datsko, Владимир Гришко, Alexander Yurlov Russian State Academic Choir, Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks was released on November 16, 2018. With this song being about 5 minutes long, at 4:48, "The Queen of Spades, Op. 68, Act II Scene 3: No. 15, Final Scene "Kto pylko i strastno lyubya"" by Виталий Таращенко, Александр Ведерников I, Natalia Datsko, Владимир Гришко, Alexander Yurlov Russian State Academic Choir, Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 44 in the song's album "Tchaikovsky: The Queen of Spades, Op. 68 (Live)". In this album, this song's track order is #9. The Queen of Spades, Op. 68, Act II Scene 3: No. 15, Final Scene "Kto pylko i strastno lyubya" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Queen of Spades, Op. 68, Act II Scene 3: No. 15, Final Scene "Kto pylko i strastno lyubya" by Виталий Таращенко, Александр Ведерников I, Natalia Datsko, Владимир Гришко, Alexander Yurlov Russian State Academic Choir, Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fausto, Act IV: Stretta. A morte vergognosa! | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | B Major | 5 | 1B | 98 BPM | ||
Adriana Lecouvreur / Act 1: La dolcissima effigie sorridente | Francesco Cilea, Mario del Monaco, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | F Minor | 4 | 4A | 92 BPM | ||
Meyerbeer: Les Huguenots, Act 1: "Plus blanche que la blanche hermine" (Raoul, Chorus) | Giacomo Meyerbeer, Pene Pati, Chœur de l'Opéra National de Bordeaux, Stéphane Rougier, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | F Major | 0 | 7B | 69 BPM | ||
Der fliegende Holländer, WWV 63 / Act 3: "Johohoe! Johohoe! Hoe! Hoe!" | Richard Wagner, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM | ||
Le Villi: Act I - Presto! Presto in viaggio!... Angiol di Dio | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | G Minor | 2 | 6A | 127 BPM | ||
Doña Francisquita, Act II: Scène y Cofradía de la Bulla (Aurora, Torero, Maja, Miliciano, Mamá, Niñas 1 y 2, Jornalero, su Mujer, Chico, Aguadora, Dependientes 1, 2 y 3, Naranjera, Cofrades 1, 2 y 3, Coro) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Raquel Pierotti, Juan Enrique SIMO PÉREZ, Beatriz Gonzalez Ramos, José Luis Alonso ROMERO, María Luisa Maesso, Marisa Gonzalez Gonzalez, Natalia Gonzalez Rivero, José Miguel PÉREZ ROMERO, Sandra RAMOS, Esther Alfonso DA COSTA, Montse PÉREZ RIVERO, Emilio Sanchez, María Dolores Coello, José Manzaneda | E Major | 2 | 12B | 120 BPM | ||
Puccini: Il tabarro: "Come è difficile esser felici!" (Giorgetta, Michele) | Giacomo Puccini, Carlo Guelfi/Maria Guleghina/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | E♭ Major | 1 | 5B | 127 BPM | ||
Les Pêcheurs de perles: Me voilà seule dans la nuit (Leïla) | Georges Bizet, Janine Micheau/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | F Major | 1 | 7B | 65 BPM | ||
Massenet: Don Quichotte, Act 1: "Elle m'aime et va me revenir" (Don Quichotte, Dulcinée) | Jules Massenet, Michel Plasson, José van Dam, Teresa Berganza, Orchestre Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
The Queen of Spades, Op. 68, Act I Scene 2: No. 10, Herman’s Aria "Prosti, nebesnoe sozdanie" | Виталий Таращенко, Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks | C Major | 1 | 8B | 174 BPM |
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