Jack Stamp, Barcelona Clarinet Players's 'Fragments: I. Shards of Glass' came out on March 15, 2024. With Fragments: I. Shards of Glass being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jack Stamp, Barcelona Clarinet Players's "Jack Stamp: Chamber Music, Vol. 2" album is number 2 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Fragments: I. Shards of Glass's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Fragments: I. Shards of Glass by Jack Stamp, Barcelona Clarinet Players to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Korean Folk Song | Massachusetts Wind Orchestra | F♯ Major | 1 | 2B | 135 BPM | ||
Gloriosa: I. Oratio | Yasuhide Ito, Jerry Bierschenk, North Texas Wind Symphony, Dennis Fisher | A Minor | 1 | 8A | 75 BPM | ||
Candide Suite (arr. C. Grundman for wind band): I. The Best of All Possible Worlds | Leonard Bernstein, Clare Grundman, University of South Carolina Wind Ensemble, Scott Weiss | E♭ Major | 2 | 5B | 127 BPM | ||
Mock Morris (Arr. for Wind Ensemble) | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | F♯ Minor | 1 | 11A | 149 BPM | ||
Overture in Five Flat | Julie Giroux, University of North Texas Symphonic Band, Lowell Graham | F Minor | 5 | 4A | 93 BPM | ||
Mother Earth | David Maslanka, University of New Hampshire Wind Symphony, Andrew Boysen, Jr. | E♭ Major | 4 | 5B | 97 BPM | ||
1st Suite for Military Band in E-Flat Major, Op. 28 No. 1, H. 105: I. Chaconne | Gustav Holst, Dallas Wind Symphony, Howard Dunn | C Minor | 0 | 5A | 81 BPM | ||
2nd Suite for Military Band in F Major, Op. 28 No. 2, H. 106: I. March | Gustav Holst, Dallas Wind Symphony, Howard Dunn | F Major | 1 | 7B | 130 BPM | ||
Antithigram | Jack Stamp, Keystone Wind Ensemble | B♭ Minor | 2 | 3A | 73 BPM | ||
Colors: III. Blue | Bert Appermont, Columbus State University Wind Ensemble, Joseph Alessi, Robert W. Rumbelow | E♭ Major | 0 | 5B | 139 BPM |
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