"Beethoven: The Ruins of Athens (Incidental Music), Op. 113: No. 7a, Chorus "Wir tragen empfängliche Herzen" (Allegretto ma non troppo)" by Ludwig van Beethoven, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham was released on April 4, 2005. The duration of Beethoven: The Ruins of Athens (Incidental Music), Op. 113: No. 7a, Chorus "Wir tragen empfängliche Herzen" (Allegretto ma non troppo) is about 3 minutes long, at 3:06. Based on our data, "Beethoven: The Ruins of Athens (Incidental Music), Op. 113: No. 7a, Chorus "Wir tragen empfängliche Herzen" (Allegretto ma non troppo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 20 in Beethoven: Symphony Nos. 2 & 7; Mass in C, etc by Sir Thomas Beecham. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Beethoven: The Ruins of Athens (Incidental Music), Op. 113: No. 7a, Chorus "Wir tragen empfängliche Herzen" (Allegretto ma non troppo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven: The Ruins of Athens (Incidental Music), Op. 113: No. 7a, Chorus "Wir tragen empfängliche Herzen" (Allegretto ma non troppo) by Ludwig van Beethoven, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Seasons - Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Minor | 2 | 4A | 158 BPM | ||
Sinfonia for Strings in G major, RV 149: I. Allegro molto | Karoly Botvay | D Major | 2 | 10B | 125 BPM | ||
Septet in E-Flat Major, Op. 20: III. Tempo di menuetto | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | E♭ Major | 1 | 5B | 120 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 2. Adagio cantabile | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 97 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM |
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