Sir John Barbirolli, Hallé's 'Karelia Suite Op. 11 (2000 Digital Remaster): III. Alla marcia' came out on February 1, 2011. With this song being about 5 minutes long, at 4:41, "Karelia Suite Op. 11 (2000 Digital Remaster): III. Alla marcia" by Sir John Barbirolli, Hallé is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Drivetime Classics, so we believe that "Karelia Suite Op. 11 (2000 Digital Remaster): III. Alla marcia" is a single. Karelia Suite Op. 11 (2000 Digital Remaster): III. Alla marcia is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Karelia Suite Op. 11 (2000 Digital Remaster): III. Alla marcia by Sir John Barbirolli, Hallé is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "Go in the Name of Angels" (Chorus, Priest) | Edward Elgar, Richard Lewis, Kim Borg, Eric Chadwick, John McCarthy, Martin Milner, Sir John Barbirolli, Dame Janet Baker, Halle Choir, Ambrosian Singers, Sheffield Philharmonic Chorus, Hallé | G Minor | 1 | 6A | 139 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb/2: II. Adagio | Franz Joseph Haydn, Jacqueline du Pré, Sir John Barbirolli, London Symphony Orchestra | A Major | 1 | 11B | 91 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 81 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Barbirolli & Purcell: Suite for Strings, Woodwinds and Horns: V. Largo (After Dido and Aeneas, Z. 626) | Henry Purcell, Sir John Barbirolli, Eric Fletcher, Hallé | G Minor | 0 | 6A | 77 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM |
Section: 0.5926947593688965
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