Tylman Susato, New London Consort, Philip Pickett's 'Dansereye (1551): Den III Allemaigne' came out on January 1, 1993. The duration of Dansereye (1551): Den III Allemaigne is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Dansereye (1551): Den III Allemaigne's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Susato: Dansereye 1551". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Dansereye (1551): Den III Allemaigne's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Dansereye (1551): Den III Allemaigne by Tylman Susato, New London Consort, Philip Pickett having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jarzebski: Concerto a 3 voci & continuo: Tamburetta | Adam Jarzębski, Il Pomo D'oro | D Major | 4 | 10B | 132 BPM | ||
Il Spiritillo Brando | Andrea Falconieri, La Ritirata, Josetxu Obregon | G Major | 2 | 9B | 126 BPM | ||
Chanterai por mon corage | Guiot de Dijon, Christina Clarke, Early Music Consort Of London, David Munrow | A Minor | 0 | 8A | 124 BPM | ||
Ciaconna | Andrea Falconieri, Capella De La Torre, Katharina Bauml | C Major | 2 | 8B | 94 BPM | ||
Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
Courtly Masquing Ayres: No. 4 | John Adson, The Prague Brass Soloists | D Major | 1 | 10B | 93 BPM | ||
Dances from 'Terpsichore' (1974 Digital Remaster): Spagnoletta (XXVII a 4) | Michael Praetorius, Early Music Consort Of London | C Major | 0 | 8B | 95 BPM | ||
Motets: Alma redemptoris mater | Guillaume Dufay, Pomerium, Alexander Blachly | C Major | 1 | 8B | 74 BPM | ||
Courante I | Johann Daniel Mylius, Lutz Kirchhof | B Minor | 1 | 10A | 76 BPM | ||
Adson's Masque | John Adson, Dorothee Oberlinger | G Minor | 2 | 6A | 130 BPM |
Section: 0.4871532917022705
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