Dansereye (1551): Den III Allemaigne
Tylman Susato, New London Consort, Philip Pickett
Susato: Dansereye 1551
2:01 January 1, 1993
BPM
127
Key
A Minor
Camelot
8A

Embed

Share Link

Dansereye (1551): Den III Allemaigne - Tylman Susato, New London Consort, Philip Pickett Information

Acousticness
83%
Danceability
47%
Energy
1%
Instrumentalness
0%
Liveness
13%
Loudness
40%
Speechiness
4%
Valence
39%
Popularity
Loudness
-35.901 dB

Summary

Tylman Susato, New London Consort, Philip Pickett's 'Dansereye (1551): Den III Allemaigne' came out on January 1, 1993. The duration of Dansereye (1551): Den III Allemaigne is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Dansereye (1551): Den III Allemaigne's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Susato: Dansereye 1551". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Dansereye (1551): Den III Allemaigne's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Dansereye (1551): Den III Allemaigne BPM

With Dansereye (1551): Den III Allemaigne by Tylman Susato, New London Consort, Philip Pickett having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.

Dansereye (1551): Den III Allemaigne Key

This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Jarzebski: Concerto a 3 voci & continuo: Tamburetta by Adam Jarzębski, Il Pomo D'oroJarzebski: Concerto a 3 voci & continuo: TamburettaAdam Jarzębski, Il Pomo D'oroD Major410B132 BPM
Il Spiritillo Brando by Andrea Falconieri, La Ritirata, Josetxu ObregonIl Spiritillo BrandoAndrea Falconieri, La Ritirata, Josetxu ObregonG Major29B126 BPM
Chanterai por mon corage by Guiot de Dijon, Christina Clarke, Early Music Consort Of London, David MunrowChanterai por mon corageGuiot de Dijon, Christina Clarke, Early Music Consort Of London, David MunrowA Minor08A124 BPM
Ciaconna by Andrea Falconieri, Capella De La Torre, Katharina BaumlCiaconnaAndrea Falconieri, Capella De La Torre, Katharina BaumlC Major28B94 BPM
Fantazia of foure parts by Orlando Gibbons, Harmonia Recorder EnsembleFantazia of foure partsOrlando Gibbons, Harmonia Recorder EnsembleA Minor08A94 BPM
Courtly Masquing Ayres: No. 4 by John Adson, The Prague Brass SoloistsCourtly Masquing Ayres: No. 4John Adson, The Prague Brass SoloistsD Major110B93 BPM
Dances from 'Terpsichore' (1974 Digital Remaster): Spagnoletta (XXVII a 4) by Michael Praetorius, Early Music Consort Of LondonDances from 'Terpsichore' (1974 Digital Remaster): Spagnoletta (XXVII a 4)Michael Praetorius, Early Music Consort Of LondonC Major08B95 BPM
Motets: Alma redemptoris mater by Guillaume Dufay, Pomerium, Alexander BlachlyMotets: Alma redemptoris materGuillaume Dufay, Pomerium, Alexander BlachlyC Major18B74 BPM
Courante I by Johann Daniel Mylius, Lutz KirchhofCourante IJohann Daniel Mylius, Lutz KirchhofB Minor110A76 BPM
Adson's Masque by John Adson, Dorothee OberlingerAdson's MasqueJohn Adson, Dorothee OberlingerG Minor26A130 BPM
ISRC
GBF079143420
Label
L-M Records/RCA Records

Section: 0.4871532917022705

End: 0.49126696586608887