Niccolò Paganini, Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit made "Violin Concerto No. 2 in B Minor, Op. 7, MS. 48: III. Rondo à la clochette, 'La campanella'" available on January 1, 1986. Since Violin Concerto No. 2 in B Minor, Op. 7, MS. 48: III. Rondo à la clochette, 'La campanella' is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Paganini: Violin Concertos Nos.1 & 2". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Violin Concerto No. 2 in B Minor, Op. 7, MS. 48: III. Rondo à la clochette, 'La campanella' is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Violin Concerto No. 2 in B Minor, Op. 7, MS. 48: III. Rondo à la clochette, 'La campanella' by Niccolò Paganini, Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Schwanengesang, S. 560: No. 4 Ständchen | Franz Liszt, Vladimir Horowitz | D Major | 0 | 10B | 74 BPM | ||
Slavonic Dance No. 2 in E minor, Op. 72 | Boston Symphony Orchestra, Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | E Minor | 1 | 9A | 70 BPM | ||
Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | Ludwig van Beethoven, Stephen Kovacevich | F Minor | 2 | 4A | 76 BPM | ||
Moses Fantasy | Niccolò Paganini, Nemanja Radulović | C Major | 1 | 8B | 100 BPM | ||
Pavane in F-Sharp Minor, Op. 50 | Gabriel Fauré, Charles Gerhardt, National Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
Piano Concerto No.2 In F Minor, Op.21: 3. Allegro vivace | Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra | B♭ Minor | 2 | 3A | 107 BPM | ||
Elgar: The Music Makers (Ode by Arthur O'Shaughnessy), Op. 69: I. Moderato e nobilmente espressivo (Orchestral Introduction) | Edward Elgar, Dame Janet Baker, Frederic Jackson, Sir Adrian Boult, London Philharmonic Orchestra | C Minor | 1 | 5A | 88 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": III. Molto vivace | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 132 BPM | ||
Violin Concerto No.2 In B Minor, Op.7, MS.48: 1. Allegro maestoso - Cadenza: Salvatore Accardo | Niccolò Paganini, Salvatore Accardo, Emile Sauret, London Philharmonic Orchestra, Charles Dutoit | B Minor | 1 | 10A | 111 BPM |
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