Wiener Philharmoniker, Riccardo Muti, James Morris, Konzertvereinigung der Wiener Staatsopernchor, Francisco Araiza made "Così fan tutte, Act 2, Scene 2: No. 21 Duetto con coro: Secondate, aurette amiche (Ferrando/Guglielmo/Coro)" available on August 2, 2013. The duration of Così fan tutte, Act 2, Scene 2: No. 21 Duetto con coro: Secondate, aurette amiche (Ferrando/Guglielmo/Coro) is about 3 minutes long, at 3:16. Based on our data, "Così fan tutte, Act 2, Scene 2: No. 21 Duetto con coro: Secondate, aurette amiche (Ferrando/Guglielmo/Coro)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 10 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Così fan tutte, Act 2, Scene 2: No. 21 Duetto con coro: Secondate, aurette amiche (Ferrando/Guglielmo/Coro) is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Così fan tutte, Act 2, Scene 2: No. 21 Duetto con coro: Secondate, aurette amiche (Ferrando/Guglielmo/Coro) by Wiener Philharmoniker, Riccardo Muti, James Morris, Konzertvereinigung der Wiener Staatsopernchor, Francisco Araiza to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Flute Concerto No. 2 in D Major, K. 314: II. Andante ma non troppo | Wolfgang Amadeus Mozart, Patrick Gallois, Roderick Shaw, Swedish Chamber Orchestra, Katarina Andreasson | G Major | 0 | 9B | 67 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] | Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble | F♯ Major | 4 | 2B | 101 BPM |
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