Murray Perahia, Sir Georg Solti's 'Variations on a Theme by Haydn for Two Pianos, Op. 56b: Thema. Chorale St. Antoni' came out on 1973. The duration of Variations on a Theme by Haydn for Two Pianos, Op. 56b: Thema. Chorale St. Antoni is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Variations on a Theme by Haydn for Two Pianos, Op. 56b: Thema. Chorale St. Antoni's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 59 in the song's album "Original Album Classics - Murray Perahia". In this album, this song's track order is #4. In terms of popularity, Variations on a Theme by Haydn for Two Pianos, Op. 56b: Thema. Chorale St. Antoni is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Variations on a Theme by Haydn for Two Pianos, Op. 56b: Thema. Chorale St. Antoni by Murray Perahia, Sir Georg Solti having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liszt: 6 Consolations, S. 172: V. Andantino | Franz Liszt, Mariam Batsashvili | E Major | 0 | 12B | 166 BPM | ||
12 Études, Op. 25: No. 9 in G-Flat Major "Butterfly's Wings" | Frédéric Chopin, Murray Perahia | D♭ Major | 0 | 3B | 80 BPM | ||
La Couperin (21e ordre) | François Couperin, Alexandre Tharaud | E Minor | 1 | 9A | 118 BPM | ||
10 Preludes, Op. 23: No. 5. Alla marcia in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 2 | 6A | 106 BPM | ||
Six Piano Pieces, Op. 118: Ballade in G Minor, Op. 118, No. 3 | Johannes Brahms, Murray Perahia | E♭ Major | 1 | 5B | 75 BPM | ||
Piano Concerto No. 3 in D Major, K. 40: I. Allegro maestoso (After L. Honauer, Op. 2 No. 1) | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | D Major | 1 | 10B | 134 BPM | ||
12 Études caractéristiques, Op. 2: No. 6 in F-Sharp Major, "Si oiseau j'etais, a toi je volerais!" | Adolf von Henselt, Sergio Gallo | F♯ Major | 1 | 2B | 100 BPM | ||
Overtures For 2 Horns, 2 Oboes And Strings / Overture No.2 In A: 2. Andante | Josef Mysliveček, Concerto Köln, Werner Ehrhardt | B Minor | 0 | 10A | 101 BPM | ||
Pour bercer un convalescent for Two Pianos: III. Andantino espressivo | Reynaldo Hahn, Tal & Groethuysen | A Major | 0 | 11B | 56 BPM | ||
Piano Quintet In A Major, Op. 114, D 667 - "The Trout": 2. Andante | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee, Maximilian Hornung, Roman Patkoló | A Minor | 1 | 8A | 56 BPM |
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