"Considering Matthew Shepard: Passion, 27. Recitation X" by Craig Hella Johnson, Conspirare was released on September 9, 2016. With Considering Matthew Shepard: Passion, 27. Recitation X being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Craig Hella Johnson, Conspirare's "Johnson: Considering Matthew Shepard" album is number 10 out of 33. The popularity of Considering Matthew Shepard: Passion, 27. Recitation X is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Considering Matthew Shepard: Passion, 27. Recitation X by Craig Hella Johnson, Conspirare to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Messa di Requiem: Agnus Dei | Ildebrando Pizzetti, Conspirare, Craig Hella Johnson | F Major | 0 | 7B | 72 BPM | ||
How Little You Are: No. 1, We Washed Our Faces at the Spring | Nico Muhly, Estelí Gomez, Laura Mercado-Wright, Steven Soph, Conspirare, Los Angeles Guitar Quartet, Texas Guitar Quartet, Austin Guitar Quartet, Craig Hella Johnson | A Minor | 0 | 8A | 82 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 77 BPM | ||
Ain't That Good News! | The Graduate Choir, nz, Terence Maskell | F♯ Major | 2 | 2B | 82 BPM | ||
Ave Maria | Josquin des Prez, Bremen Weser-Renaissance, Manfred Cordes | B♭ Major | 1 | 6B | 66 BPM | ||
Yver, vous n'estes qu'un villain | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | B Major | 0 | 1B | 78 BPM | ||
Stetit Angelus | Millikin University Choir | A Minor | 1 | 8A | 86 BPM | ||
To Touch the Sky: To Touch the Sky: V. At Castle Wood | Kevin Puts, Conspirare, Craig Hella Johnson | G Minor | 1 | 6A | 67 BPM | ||
3 Nocturnes: No. 1. Ballade to the Moon | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Major | 0 | 12B | 66 BPM |
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