On November 22, 2019, the song "Piano Sonata No.13 In B Flat, K.333: 2. Andante cantabile" was released by Wolfgang Amadeus Mozart, Ingolf Wunder. Since Piano Sonata No.13 In B Flat, K.333: 2. Andante cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart's "Mozart Piano" album is number 12 out of 21. On top of that, Germany appears to be the country where this track was created. Piano Sonata No.13 In B Flat, K.333: 2. Andante cantabile is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Piano Sonata No.13 In B Flat, K.333: 2. Andante cantabile by Wolfgang Amadeus Mozart, Ingolf Wunder to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Lyrical Pieces, Op. 12: No. 1, Arietta | Edvard Grieg, Denis Kozhukhin | E♭ Major | 0 | 5B | 76 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Johann Sebastian Bach: Praeludium I C-Dur BWV 846 | Květa Novotná | C Major | 1 | 8B | 103 BPM | ||
Liebestraum No. 3 in A-Flat Major, S. 541/3 | Franz Liszt, Van Cliburn | A♭ Major | 1 | 4B | 79 BPM | ||
10 Pieces for Piano, Op. 24: Romance, No. 9 | Jean Sibelius, Leif Ove Andsnes | D♭ Major | 0 | 3B | 69 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM |
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